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When I Recall Her
We recall; we begin; we begin again
By Éamon Boylan & Company (Devised)
Benefitting The Rape, Abuse & Incest National Network

The Flamboyán @ The Clemente

Thursday 7/12 8:00pm-9:00pm
Saturday 7/14 1:45pm-2:45pm
Sunday, 7/15 4:45pm-5:45pm
Thursday 7/26 @10:00pm-11:00pm
Friday 7/27 @5:45pm-6:45pm


When I Recall Her, a dance theatre piece, explores the power of recollection, feelings of longing, rejections of homesickness. When I Recall Her invites audience members to re-define space, place, and time. Part dance-theatre, part docu-drama, part-community-discourse, this work provides an opportunity to acknowledge the memories we hold with us every day and the spaces we refuse to abandon. When I Recall Her was first workshopped at BAM.


Éamon Boylan is a New York City-based director and creator whose recent and upcoming projects include Soft Butter (Ars Nova/ANT Fest, Musical Theatre Factory), When I Recall Her (Planet Connections, BAM studio), virgo (Fresh Fruit Festival), Cinderella in the Closet (Trans Theatre Festival/The Brick), Rooms (BAM studio), and The Rite of Spring  (American Theater Company/CORE Series). A member of the 2017-18 SDCF Observership class, they have assisted and facilitated the work of resident companies at Next Wave Festival (BAM) as well as individual artists, including Joanie Schultz (Chicago Cultural Center), Richard Israel (O’Neill Center/NMTC), Caitlin O’Connell (Clubbed Thumb, Judson Memorial), Julia Rhoads & Leslie Danzig (Lucky Plush Productions), Brian MacDevitt (Studio Theatre), Audrey Francis (Chicago Performance Lab) and others. Éamon is committed to developing equitable and accountable industry practices, supported by initiatives like NET’s annual Symposium and collaborations between The Laboratory for Global Performance & Politics and Woolly Mammoth Theatre Company. A proud graduate of The University of Chicago, Éamon extended their studies in directing at The National Theater Institute after completing independent research with Royal Shakespeare Company, Shakespeare Birthplace Trust, and Folger Library Institute.

Anise is a physical artist, that is, a performance-based multi-disciplinary artist forming their work around the discovery of the body through physical disciplines and practices including dance, physical theatre, contact improvisation and performance art. They are currently living and working in NYC, primarily as performer, resident choreographer, and artistic associate of Sacred Circle Theatre Company. This piece has evoked something beautiful about storytelling and the mutable nature of memory. She is grateful to Éamon and this lovely cast for sharing its simplicity and boundlessness with her. If you would like to know more follow @aniseliketheseed on Instagram and Facebook.

Stephanie Litchfield is an actress currently based in NYC, although she has performed and trained nationally and internationally. She is a recent graduate of the MA Acting course at the Bristol Old Vic Theatre School (UK), and also holds a double bachelors degree in Theater & Performance Studies and Comparative Literature from the University of Chicago. Additionally, she has studied acting at the American Conservatory Theatre’s Summer Training Congress (San Francisco) and the Black Box Acting Studio (Chicago), and has worked as a teaching artist and administrative/production assistant at Chicago theaters such as American Theater Company and Lookingglass Theatre Company. Stephanie particularly thrills in workshopping and collaborating on new and/or devised work, especially on movement-focused pieces where she can make use of her eclectic mix of aerial, acrobatic, dance, and stage combat training. Select acting credits include Junia in the East Coast premiere of Britannicus (NYC); Sheryl in Don’t Smoke in Bed (Bristol, UK); Sorn in Stupid Fucking Bird (Bristol, UK); Richard III in Henry VI, Part III (Bristol, UK) ; Stella in A Streetcar Named Desire (Chicago); and Ophelia in The Hamletmachine (Chicago). For more information, check out her website at

Marlee Miller is a poet and performer from Philadelphia Pennsylvania. She graduated from Hollins University in Roanoke Virginia with a BA in English with a concentration in creative writing. Marlee’s work explores a wide variety of topics and themes such as identity, love, and social justice. Most recently, Marlee has gone on a circus tour with Bread and Puppet Theatre, as well as performed with them at Theatre for the New City in the East Village. In addition, she is currently working with Sacred Circle Theatre Company as a dramaturg on their upcoming projects this season. She has been using movement and dance to navigate how certain spaces and the feelings these spaces evoke live in the body. She looks forward to seeing how this work grows and develops in the future.

Denali Thomas is New York City based actor that hails from Alaska. She has a deep love of independent theater, and has been showcased in Rondeau A Beauty Masked (Sacred Circle Theatre Company), as well as having her poetry featured in several shows around the city. She hopes the audience will find comfort in this piece, as she has. She would like to thank her mother for everything, and she hopes you enjoy the show!

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