Melody Mc Cluskey–Federico Serravalle and others.

Technical Director and Lighting Designer: Ryan Metzler
Stage Manager: Valentin Ewan
Sun Umbrella virtual painting: James Ewan
Production Manager: Andy Chmelko

Genre: Site Specific Theatrical Installation, Performance–Art, Multimedia, Drama, Comedy, Mystery, Dance-Theater, Tango, Pop, Experimental.

This production features previous Planet Connections Award Winners:

Roi Escudero (2011, winner of Outstanding Performance-Art-Multimedia Event for

“The Matra India”)

Roi Escudero’s “The Matra India” was also nominated for Outstanding Overall Production of a Short Play, One-Act or Monologue, Outstanding Overall Production of an Entire Evening of One-Acts/Paired Productions, Outstanding Actor in a One-Act Production (Andy Chmelko), and Outstanding Choreography (Fight or Dance

(Mika Oyaizu).

Roi Escudero (2010, Award for Outstanding Multimedia Event, Use of Projections and Special Effects for her Bubulinos’ Series multimedia performance-art play

“11 seconds of ecstasy!”).

Roi Escudero’s “11 seconds of ecstasy!” received seven nominations, including Outstanding Overall Production of a New Play 2010, Outstanding Direction 2010, Outstanding Sound Design 2010, Outstanding Choreography 2010 (Mika Oyaizu and Ricardo Stevens), and Outstanding Mask, Movement and Fight Sequence 2010 for

Roi Escudero’s life-sized puppet character Mrs. Mind.

Amada Anderson (2010, Award for Outstanding Supporting Actress In A Play for the role of Darcie in Andrew Rothkins’s “Danny“.)

Using minimal design elements. Virtual set design – use of film projection to create virtual dramatic world. Will not purchase any new items. Avoiding materials with heavy fragrances or harsh chemicals. Maximize use of practical lighting. Adopting green habits outside of working on the show. Encourage promotion of energy efficient lighting and turn out the lights when not in use. Promoting the use of reusable water bottles, cups, plates, utensils, etc. Properly recycle paper, bottles and other items used during the production. Reducing printing of script via sharing scripts, adding supplemental script pages or writing in changes when applicable. Using laptops or smart phones in place of some or all rehearsal drafts. Printing double-sided. Printing on recycled paper. Encouraging online communication for the artists and reducing the amount of printed communications. Encouraging online communication for the use of audition materials, welcome packets, press packets, and any other correspondence with industry. Utilizing paperless marketing tools (e.g. website, blogs, Facebook, Twitter and email). Using an online playbill. Recycling/re-using playbills/Festibills. Recycling/re-using tickets.”